The action sequences in “Boy Kills World” are fast-paced and packed with violence. Cameras move quickly over, under, and through crowded scenes of armed characters. Limbs break, bodies fly through the air, and blood is spilled in these intense sequences. The presentation of violence in these scenes is similar to other fight scenes, such as the Frosty Puffs massacre. The film connects all violence with video games, like the character’s inspiration from a “Street Fighter” game for his voiceover narration. These action scenes have the same speed as spy movie parodies, prioritizing camera movements and impact over storytelling.
The filmmakers of “Boy Kills World” seem to insert themselves too much into the film, hindering the enjoyment of the action sequences. The meta-criticism within the film, such as Gideon’s frustration with an actor’s lack of feeling, adds layers of complexity to the narrative. However, these elements do not necessarily add depth to the overall story. The audience is not allowed to passively watch the film; they must actively engage with it. The plot twists in the third act disrupt the Boy’s revenge plans without providing meaningful conclusions.
The lack of trust in the audience’s ability to connect emotionally with the film and underdeveloped performances by some cast members are evident in “Boy Kills World.” While actors like Copley, Skarsgård, and Ruhian deliver their roles effectively, overall, it feels like it could have been directed and scripted by Van Der Koys themselves.
