Matthew Attard, a Maltese artist, showcases his country’s maritime heritage and faith through the use of AI-driven technology at the 60th Venice Biennale. His work focuses on images of ships that were graffitied by seafarers on the stone facades of chapels in Malta between the 16th and 19th centuries. By retracing the incised lines of the ship graffiti using generative algorithms and an eye-tracking device, Attard creates a database of digital images. These images are then used to create artworks such as 3D scans and video pieces, highlighting the evolution of traditional art forms through innovative technology.
The reinterpretations of the etchings reflect a ghostly, skeletal impression that prompts viewers to question the role of technology in art and society. The maritime graffiti serves as a metaphor for hope and survival, resonating with cultures deeply connected to the sea. Similarly, Maltese chapels have served as places of sanctuary throughout history. Attard’s exploration of these themes aims to draw parallels between blind faith in digital technology and traditional beliefs.
Attard’s exhibition at the Malta Pavilion at the Venice Biennale, commissioned by Arts Council Malta, invites audiences to reflect on the fusion of art, history, and technology in a thought-provoking manner. Through his unique artwork, Attard showcases how innovation can enhance traditional forms while also raising questions about their impact on society.
